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| © Marc Hervieux / Nelligan / Jean-François Gratton, Shoot Studio / compagnie et cie
Something wonderful happened this
winter in Montreal’s Théâtre du Nouveau Monde : a brand new
production of Nelligan. This version of an acclaimed opéra romantique by André Gagnon (music) and Michel Tremblay (libretto) directed by Normand
Chouinard has a subtitle: Le chant du poète naufragé (The Song of a shipwrecked
poet). After a triumphant run in Montreal the opera went on a tour of the province. I saw
the show in Drummondville’s Maison des arts Desjardins, having travelled 300
miles and crossed a country border for that. Here is why.
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Showing posts with label Michel Tremblay. Show all posts
Showing posts with label Michel Tremblay. Show all posts
Tuesday, March 10, 2020
Nelligan : le chant du poète naufragé / André Gagnon-Michel Tremblay, March 2020
Labels:
acting,
Canada,
Canada francais,
Diminique Cote,
french-canadian,
french-canadian literature,
Kathleen Fortin,
Marc Hervieux,
Michel Tremblay,
music,
Nelligan,
poems,
poetry,
poets,
Quebec,
Québec,
theater,
travel
Tuesday, January 24, 2017
Des nouvelles d'Édouard / Michel Tremblay (Chroniques du Plateau Mont-Royal #4, 1991, Lemeac)
Of the 6 books from Chroniques du Plateau Mount-Royal series by Michel Tremblay Des nouvelles d'Edouard is my favorite. It is a striking book. When I took it in my hands after having read the previous three I thought this one would be another charmingly busy multi-figure anthropological canvas describing life in a certain area of Montreal. And the book indeed begins as expected. However soon it takes a completely different turn, changes genre and becomes a book on a solitary journey of self-discovery with most of the action taking place actually outside of Montreal and outside of the continent altogether.
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