Nelligan : le chant du poète naufragé / André Gagnon-Michel Tremblay, March 2020

© Marc Hervieux / Nelligan / Jean-François Gratton, Shoot Studio / compagnie et cie 

Something wonderful happened this winter in Montreal’s Théâtre du Nouveau Monde : a brand new production of Nelligan. This version of an acclaimed opéra romantique by André Gagnon (music) and Michel Tremblay (libretto) directed by Normand Chouinard has a subtitle: Le chant du poète naufragé (The Song of a shipwrecked poet). After a triumphant run in Montreal the opera went on a tour of the province. I saw the show in Drummondville’s Maison des arts Desjardins, having travelled 300 miles and crossed a country border for that. Here is why.

Notre-Dame de Paris in Sherbrooke (QC), October 2018 (English)

One may try to resist the charms of Notre-Dame de Paris, but when the musical is approaching a geographically acceptable point, the invisible bugle calls, and time, money and even perhaps company come out of nowhere, and all of a sudden here you are sitting in the audience and your face is blue with the gleam from the stage light, and the show is about to begin ...

Les filles de Caleb: a few words in honor of a Québec musical

Image source: http://www.tandem.mu/photos/artistes/bannieres/fillesdecaleb2.jpg

This is a nostalgic post remembering an original musical Les filles de Caleb that we saw in 2011 at the Grand Théâtre de Québec.

Needles and Opium / Robert Lepage - Ex Machina

First things first : the production is stunning, and the word “production” is important here. The technology does get in the way of perception at times, but I am still giving Lepage tons of credit for audacity and vision and for the poignant sense of loneliness that every one of his plays transmits. Way to go and it’s my goal to see more of his works.