Of the 6 books from Chroniques du Plateau Mount-Royal series by Michel Tremblay Des nouvelles d'Edouard is my favorite. It is a striking book. When I took it in my hands after having read the previous three I thought this one would be another charmingly busy multi-figure anthropological canvas describing life in a certain area of Montreal. And the book indeed begins as expected. However soon it takes a completely different turn, changes genre and becomes a book on a solitary journey of self-discovery with most of the action taking place actually outside of Montreal and outside of the continent altogether.
Showing posts with label France. Show all posts
Showing posts with label France. Show all posts
Tuesday, January 24, 2017
Des nouvelles d'Édouard / Michel Tremblay (Chroniques du Plateau Mont-Royal #4, 1991, Lemeac)
Of the 6 books from Chroniques du Plateau Mount-Royal series by Michel Tremblay Des nouvelles d'Edouard is my favorite. It is a striking book. When I took it in my hands after having read the previous three I thought this one would be another charmingly busy multi-figure anthropological canvas describing life in a certain area of Montreal. And the book indeed begins as expected. However soon it takes a completely different turn, changes genre and becomes a book on a solitary journey of self-discovery with most of the action taking place actually outside of Montreal and outside of the continent altogether.
Sunday, December 4, 2016
Notre-Dame de Paris, le spectacle musical (Paris, December 2016)
When I come to theater I am after some magic. What exactly do I mean by magic? Well, a well-made solid production (or any art work for that matter) usually fits the formula: 1+1=2, while the one with magic in it is more like 1+1=6¿#dh7. In the new production of Notre-Dame de Paris the musical (NDDP) I found exactly this kind of magic in Victor Hugo's story, Riccardo Cocciante's music, Hiba Tawaji's Esmeralda and Daniel Lavoie's Frollo.
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