Félix Leclerc : TV Mini-Series, Radio-Canada, 2005

The 4-part mini-series Félix Leclerc*, was met with a complicated critical and public response and ignited passions all the way to a lawsuit upon its release in 2005, but over the years it has attained a surprising longevity of a fan cult classic due to the participation of enormously popular Daniel Lavoie**, who seems to be having the last laugh in this story.

Nelligan : le chant du poète naufragé / André Gagnon-Michel Tremblay, March 2020

© Marc Hervieux / Nelligan / Jean-François Gratton, Shoot Studio / compagnie et cie 

Something wonderful happened this winter in Montreal’s Théâtre du Nouveau Monde : a brand new production of Nelligan. This version of an acclaimed opéra romantique by André Gagnon (music) and Michel Tremblay (libretto) directed by Normand Chouinard has a subtitle: Le chant du poète naufragé (The Song of a shipwrecked poet). After a triumphant run in Montreal the opera went on a tour of the province. I saw the show in Drummondville’s Maison des arts Desjardins, having travelled 300 miles and crossed a country border for that. Here is why.

La route d'Altamont / Gabrielle Roy

La route d’Altamont is one of those quiet but profound books. It is fashioned as a book of memories, but it is a philosophical work centered around a theme dear to Roy’s nomadic heart: journey. Every character in this four-story cycle has le mal du départ.

La montagne secrète / Gabrielle Roy

***spoiler alert***
La montagne secrète by Gabrielle Roy is beautiful book about the nature of art and the essence of creativity. The choice of protagonist helps to deliver the message with the most clarity: he is a Canadian trapper by occupation and an artist by calling (which he is the last person to recognize). Pierre Cadorai (a meaningful surname!) is a no more a conventional artist than he is a hunter, but nevertheless he is a true and pure artist consumed completely by Art, that liberating and unforgiving force.

Notre-Dame de Paris in Sherbrooke (QC), October 2018 (English)

One may try to resist the charms of Notre-Dame de Paris, but when the musical is approaching a geographically acceptable point, the invisible bugle calls, and time, money and even perhaps company come out of nowhere, and all of a sudden here you are sitting in the audience and your face is blue with the gleam from the stage light, and the show is about to begin ...

"Нотр-Дам де Пари" в Шербруке (Канада), октябрь 2018 (по-русски)

Можно сколько угодно сопротивляться чарам «Нотр-Дам де Пари», но когда мюзикл приближается в географически приемлемую точку, невидимая труба зовет, и находится время, деньги и даже, возможно, компания, и неожиданно для себя ты уже сидишь в зрительном зале и на лице твоем лежит синяя тень от сценического света, и спектакль вот-вот начнётся...

La Fête Nationale du Québec on the Plains of Abraham (June 23, 2018) : a foreigner's experience

If you ever find yourself in Quebec city on June 23 in the evening, do what the locals do: go see the free open air show in the city’s Plains of Abraham park on the high shore of the Saint-Lawrence river, because it’s the national holiday and the show is grand.

J’écoute la radio : notes on Daniel Lavoie's concert tour (2012-2014)

©Spectra Musique

 

To see a big picture one needs to step away from it. In order to understand the role a concert tour played in a performer’s carrier one needs to wait a couple of years after the tour’s ended. So, what exactly was the J’écoute la radio tour? Now, 3.5 years later is the best time to answer the question.

La fille de l'Ouest / Louise Dubuc (Montréal : Leméac, 2006)

 

La fille de l'Ouest takes the reader by the hand and transplants him/her right in the middle of the Quebec countryside. Yes, Louise Dubuc is obviously in love with Nature and understands it deeply. She knows how plants grow and how animals live, how food and love are made, how farms are run, how rivers get flooded, how the seasons bring change to Quebec's fields and forests and she writes about all this beautifully.

Daniel Lavoie and I Musici de Montréal, Laurentian Highlands Festival of Classical Music, August 14, 2010.

Once upon a time (in August 2010 to be exact) the village of Ferme-Neuve in the Laurentian Highlands region of Quebec hosted an exclusive concert that brought together Daniel Lavoie and I Musici de Montréal.

La Belle Bête / Marie-Claire Blais (Québec : Institut littéraire du Québec, 1959)

 

Cover of 1st edition of La Belle Bête, 1959. Source:
https://laurentiana.blogspot.co.uk/2011/06/marie-claire-blais-la-belle-bete.html

Once upon a time there stood an evil farm where Hatred, Vanity and Vengeance ruled...  Marie-Claire Blais's La Belle Bête reads easy, but offers its reader no comfort, as the world of this Quebec author is cold and frightening. The characters are torn away by their passions, but the only true feelings here are hatred and envy, any positive feelings are either fake or selfish or borne by people who are either blind or mad (i. e. mentally blind). Physical beauty is one of the central themes (as the title implies), but it is always accompanied by a physical or mental flaw, and always - by a flawed soul. Yes,  in her novel Blais leaves no place for hope, no "crack" through which the light would get in. And yet it is an interesting work.

Marjo et ses hommes, Saint-Jean-sur-Richelieu (Quebec), August 15, 2010

© Marjo et ses hommes

Once again, summer rains have brought memories of the show Marjo and her men (Marjo et ses hommes), seen in August 2010 at the 27th International Baloon Festival (International de montgolfières) in the good town of Saint-Jean-sur-Richelieu in Quebec... Time to write these memories down.

La détresse et l'enchantement / Gabrielle Roy (Montréal : Boréal Express,1984)

 … car c’est souvent en errant seule dans les villes inconnues que je suis le mieux arrivée – mais à quelque chose d’autre que ce que je pensais chercher et qui fut presque toujours meilleur.

(Gabrielle Roy, La détresse et l'enchantement)

 

La détresse et l'enchantement is a great autobiography of a woman artist.  And as any great biography it is both unique and typical. Actually it is unique and typical on not just one, but at least two levels.  The first level is a story of a young woman searching for her path in life, and the second is a story of a Manitoban French-Canadian in the first third of the 20th century, and both stories are relatable and extraordinary at the same time.

Histoire du Manitoba français : de Gabrielle Roy à Daniel Lavoie (1916-1968) / Jacqueline Blay (Saint-Boniface, Man. : Éditions des Plaines, 2016)

This book is volume 3 of the series on the history of the French Manitoba published by Les Éditions du Blé / Les Éditions des Plaines and it covers 1916-1968, the period defined by existence of the Association d’éducation des Canadiens français du Manitoba (Manitoba French-Canadian education association), the organization that made possible teaching French language in Manitoba’s schools during those 50+ years when it was prohibited by the provincial government, thus saving the culture from becoming extinct.

Mes longs voyages (show) : Daniel Lavoie's live show, Canada, February 2017

If you go see Daniel Lavoie's new live show Mes longs voyages and are familiar with his eponymous and unabashedly dark album (released in 2016), you are in for a surprise. Because oh, what a magician that Daniel Lavoie is! Hop-la and all the blood, sweat and tears of the album turn into champagne! Effervescent and luminous, Daniel Lavoie sings, dances, switches (or ditches) instruments, talks, laughs, grimaces, savors his time in the limelight, as if trying to put behind him all the troubles that followed him in 2016 (and inspired the album) as fast as he can, and he effortlessly pulls the audience into his happy vortex. And as for that guy on the promo photos - the one who carries the weight of the world on his shoulders – one wonders what he has to do with this show…

Des nouvelles d'Édouard / Michel Tremblay (Chroniques du Plateau Mont-Royal #4, 1991, Lemeac)

Of the 6 books from Chroniques du Plateau Mount-Royal series by Michel Tremblay Des nouvelles d'Edouard is my favorite. It is a striking book. When I took it in my hands after having read the previous three I thought this one would be another charmingly busy multi-figure anthropological canvas describing life in a certain area of Montreal. And the book indeed begins as expected. However soon it takes a completely different turn, changes genre and becomes a book on a solitary journey of self-discovery with most of the action taking place actually outside of Montreal and outside of the continent altogether.

L'Énigme du retour / Dany Laferrière (2009, Grasset)

I found Dany Laferrière's  L'Énigme du retour fascinating. What caught my attention from the beginning was its form. I  am not sure it's truly a "novel" ("roman"), I thought it was more of a long poetic essay. The combination of free verse and prose is enchanting. The subject was also very new for me, as I know so little about Haiti. And as any good book would do, this book made that previously obscure to me country somewhat closer. What made this book especially captivating were the common points I have with the author. The narrator's complex relationship with his own past, national identity and time in general are all issues that I can relate to.

Notre-Dame de Paris, le spectacle musical (Paris, December 2016)

When I come to theater I am after some magic. What exactly do I mean by magic? Well, a well-made solid production (or any art work for that matter) usually fits the formula: 1+1=2, while the one with magic in it is more like 1+1=6¿#dh7. In the new production of Notre-Dame de Paris the musical (NDDP) I found exactly this kind of magic in Victor Hugo's story, Riccardo Cocciante's music, Hiba Tawaji's Esmeralda and Daniel Lavoie's Frollo.

Mes longs voyages (album) / Daniel Lavoie (2016, Spectra Musique)

By now I have listened to Daniel Lavoie’s new album Mes longs voyages (MLV) many times, and have found that it not only offers the listener some truly beautiful music, but is at the same time a poetic and philosophical statement of striking sincerity and poignancy. Clearly designed as an attempt to draw up a "balance sheet" of life's journey, it exposes the idea of finality and acceptance while at the same time offering a true declaration of love for fragile human beings and for life itself.

William Blake's Songs of Experience, an album by Laurent Guardo, 2011.

 

Here are a few words about Laurent Guardo's early album "William Blake's Songs of Experience". Curiously labeled anything from "lounge" to "international" and even "Broadway" (I am looking at you, Amazon.com), to me this album's music sounds more like modern jazz with strong ambience and psychedelic overtones, although perhaps it's simply difficult to categorize precisely. This is a meditative music, but depending on the mode d'emploi it can make a very different impact on the listener. If one puts earbuds on and surrenders to the album completely, this music is likely to overpower one's reality and take one with it to its own philosophical space, which begins with Blake's great poetry and stretches to the depths of the listener's own mind. However, when enjoyed in a company of friends it makes a great background music for a quiet conversation about life...

Les filles de Caleb: a few words in honor of a Québec musical

Image source: http://www.tandem.mu/photos/artistes/bannieres/fillesdecaleb2.jpg

This is a nostalgic post remembering an original musical Les filles de Caleb that we saw in 2011 at the Grand Théâtre de Québec.

Prélude aux 12 hommes (Théâtre de Quat’Sous, Montreal, November 9, 2015) : Gilles Bélanger and special guest Daniel Lavoie

In tiny and totally charming Montreal's Théâtre de Quat’Sous (a perfect venue for an intimate show) Gilles Bélanger, the composer behind the legendary "Douze hommes rapaillés" project, invites one of the 12 "hommes" (participants of that project) every evening over the course of two weeks this November for a conversation about the "Douze hommes", music, songwriting and personal paths in the music business. I saw the show on November 9 when Daniel Lavoie visited the stage.

Hommage à Piaf (Piaf a 100 ans...Vive la Môme!) : Victoriaville, November 11.

Photo source: http://spectramusique.com/artistes/spectacles.aspx?idA=89

The Piaf a 100 ans show is truly enjoyable, incredibly satisfying without being cheesy (I admit I was a little bit apprehensive before going to see it). What a great idea it was not to have an actual Piaf character, which would be a fail whichever way you might attempt to do this. Instead there were bits of Piaf in all characters on stage, as well as - eventually - in every audience member, which in my mind is the best kind of tribute to her.

Daniel Lavoie sings Gaston Miron : a note from the audence

A photo from Douze hommes rapaillés, most likely taken in the Parc de la Francophonie in Quebec City on July 11, 2011. The original source of the photo is unknown. Immediate source: http://www.daniellavoie.ru/dl/index.php/en/creativework/concerts/440--2011

A few years ago  I had a chance to see one of a handful of live performances of the legendary Douze hommes rapaillés, the one that took place in in the Parc de la Francophonie in Quebec City on July 11, 2011. (For the details, see my earlier post). The 12 extraordinary French-Canadian singer/songwriters/poets/political activists and just plain handsome men were creating an enormous energy on that open air stage and beyond. But this post is about Daniel Lavoie.

Douze hommes rapaillés : an outsider's view. (Quebec City, July 11, 2011 Festival d'été de Québec)

Photo credit: Agence Spectra

One goes to a lot of shows during lifetime, but some stay in memory in every detail, years later, as if you saw them yesterday. Douze hommes rapaillés at the Québec City Summer Festival in 2011 became one of those shows for me, although, curiously enough I was by no means the target audience for it (not being French-Canadian).  

Particulités / Daniel Lavoie (Les Éditions des Plaines, 2015)

Je ne lis pas les poètes, j’écoute le ciel

(Daniel Lavoie, Particulités)

As bizarre as it might seem to review a book of French language poetry in English, I will do exactly that, although it is very difficult to find an English equivalent even for the book's main tonality, la tristesse. Not quite sadness, but rather a dark tint, a beautiful melancholy. Forget everything you know about Daniel Lavoie the entertainer, with his trademark sunny smile. The narrator of Particulités is disillusioned and detached as he dissects the Universe’s mechanics, awe-inspiring and mysterious, the work of a great higher consciousness. When the narrator then descends back to Earth he observes it almost as a stranger, who despite all the vain and cruel ways of humanity, through the mundane details of everyday life senses a higher light seeking transcendence through people, nature and art (“Je sais qu’un dieu séculier cherche, à travers moi, les mots pour me dire qu’il est là” - bulletin). 

Finutilité / Daniel Lavoie (Les Éditions des Plaines, 2011)

The easy charm of finutilité

If you have never heard Daniel Lavoie read in concert some of his poems/poetic essays before they became  Finutilité - you are in for a wonderful ride. And if you are the lucky one who has  - then you have probably already bought the book!

Finutilité easily charms the reader with the author's poetic vision, his ability to see and to connect images in a truly original way, his honesty and his unique poetic intonation.

La licorne captive live at Festival Classica, May 29 2015, Saint-Lambert (Quebec)

 

Daniel Lavoie sings La Licorne Captive, Festival Classica, St-Lambert, May 29 2015

La licorne captive at the Festival Classica in St-Lambert on May 29 was an event as beautiful as it was rare. After all that was indeed the only chance to date to see this show in North America (the Europeans had already had several opportunities to see it in France). I've been under the spell of the original album (Le chant du monde, 2014) for over a year now (here is why), and finally the fortune smiled on me, so last Friday I found myself inside a very full house in the Catholic Church of St-Lambert, located on one of the quiet streets of this nice suburb of Montreal. Voilà, La licorne captive in Quebec.

Needles and Opium / Robert Lepage - Ex Machina

First things first : the production is stunning, and the word “production” is important here. The technology does get in the way of perception at times, but I am still giving Lepage tons of credit for audacity and vision and for the poignant sense of loneliness that every one of his plays transmits. Way to go and it’s my goal to see more of his works.

Fire Hydrants of Saint-Antoine-sur-Richelieu, QC

A few years ago, while making a tour of villages from the Quebec's Most Beautiful Villages list  (Les plus beaux villages du Québec) we found ourselves in Saint-Antoine-sur-Richelieu. What I remember about it four years later is that every single fire hydrant in that village is painted and in a different way. Most of them are various characters, which makes so much sense: I myself, when I look at ordinary fire hydrants I always see people in them.

La Licorne Captive - Un projet musical de Laurent Guardo / Daniel Lavoie (2014, Chant du Monde)

[For an audience video from the official album presentation skip to Bonus 1].

La Licorne Captive (The CaptiveUnicorn) is an album that's sensual and darkly beautiful, with haunting melodies, and even more haunting poetic images. Its musical energy is quite strong, it sucks you in, takes you on a Dantean journey (or a sexy horror movie trip), throws you into catharsis, cures you with images of purity and love, and at the end leaves you with a poignant feeling which remains with you and is most beautiful.

Comédies Humaines / Daniel Lavoie (2007, GSI Canada)

Comédies Humaines is one of my favorite albums by Daniel Lavoie. No-no, one doesn't need to understand French in order to appreciate it. The music is enough, with its sensual and at the same time intellectual allure. However, as always the case with this author/singer, words matter, and they matter a lot.